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Kalervo Palsa : ウィキペディア英語版
Kalervo Palsa

Hugo Kalervo Palsa (March 12, 1947 – October 3, 1987), or ''Kalle'', was a Finnish artist in a style that has been described as fantastic realism.
Long neglected, Kalervo Palsa has enjoyed a revival of sorts since the publication of critical works, a biography and two major retrospectives in Helsinki and Pori.
==Life==
Among his local contemporaries of Kittilä in Lapland he had the reputation of a drunken artist masturbating at home and painting furiously. He is said to have felt haunted both by his perverse urges and the provincial and narrow-minded mental perimeter of his northern hometown.
While he lived there, his abode was a tiny studio cabin which was closer to a shack than a house. He wired it for electricity by drawing a long extension cable from a nearby house. He called it his "Getsemane" after the biblical site, or sometimes his "castle in the clouds".
Upon his death two rumours spread in the local community. One that he had in a drunken stupor collapsed into a snowbank, and died from exposure. The other that he had hanged himself. The latter was more understandable, since several of his self-portraits featured a hangman's noose around his neck, and several other of his paintings also used the symbology of hanging.
The real circumstances of his death - lying in bed with pneumonia, without anyone checking to see how he was doing - were perhaps, and regrettably more fitting to an artist, but not to the figure they knew.
During his life he had many artist friends such as Reidar Särestöniemi, but only two real supporters; his mother, and a soul-mate/muse he found in Maj-Lis Pitkänen, a psychiatrist specialising in troubled children who shared his morbid view of the world.
Maj-Lis was actually the sister of Kalervo Palsa's childhood sweetheart Maaret for whom he maintained a long-lasting unrequited torch of love, quite openly writing about it in his letters to her and her sister and eventually sisters husband.
After his death Maj-Lis fought a protracted and bitter battle to raise an appropriate cenotaph for "Kalle". The monument shaped like a stylized seed or bullroarer was viewed by the parish as being pagan, or even representing female sexual organs. Many voices proclaimed that it was a mistake to let the "pervert" be buried into holy ground to begin with.
Over time, the notables from Kittilä, who once strenuously opposed the monument, have instead begun to express pride that an internationally renowned artist was a local boy.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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